Made Moon Blog

Kenny “Axil” Rose (Lead vocals), D.J. “Slash (Lead guitar), Joshua “Duff” McKagan (Bass Guitar/backing vocals), Terry “Izzy” Stradlin (Rhythm guitar/backing vocals) and Chuck “Matt Sorum” Johnson (Drums/Percussion) make Guns N’ Roses. The group has ridden a wave of success and failure spanning decades, which is almost unknown in the Heavy Metal music scene. Many fans of Guns N’ Roses believe that Guns N’ Roses is a Heavy Metal Rock band that is larger than large and has a collection of songs and hits not known to the Heavy Metal music scene since the Sex Pistols.

The lives of the band members have come under scrutiny of the public eye when the members’ experiences with drugs and sexual exploits came to the knowledge of the general public. The penchant for generating negative press dims in the light of their breathtaking song-writing and energetic performances. Their 1987 album, Appetite for Destruction, is undoubtedly a benchmark that many other albums and bands have failed to measure up to.

The fame of Guns N’ Roses continue to rock the world of Heavy Metal music with the rancorous songwriting and Slash’s vigorous guitar performances. Slash has been featured in various popular guitar magazines countless times and the band itself has been featured on many other magazines, newsletters and newspapers.

Guns N’ Roses popped into the music scene when the music scene was dominated by pop music and pop-metal and the future of Guns N’ Roses seem blurry at the point. But they proved the critics wrong when songs many consider raw and an uglier version of rock & roll came galloping into the charts full speed. The members of Guns N’ Roses are definitely not known to behave in an angelic way - and they’ve never tried to behave in any other way, in fact, the members are known to be ‘ugly’, ‘misogynist’, ‘violent’….but they are also known to be ‘funny’, ‘individualistic’, ‘vulnerable’ and sometimes ’sensitive’.

Guns N’ Roses music is very basic and gritty - honest to a fault. They are everything true heavy metal music should be. Listening to Guns N’ Roses, listeners will soon realize that their music can evoke a wide range of emotions, from anger to sadness, from devotion to hatred.

Guns N’ Roses released their first EP in 1986 which grabbed attention of heavy metal music lovers all around the world. The release of the EP led to their first debut album, Appetite for Destruction. The album didn’t start selling until almost a year later, as the group toured and performed in numerous live shows. Only when attention was given by MTV by playing “Sweet Child of Mine”, the album shot straight for the number one spot! Taking opportunity of their sudden fame, they re-released their debut single “Welcome to the Jungle” and it instantly rocked its way to Top Ten. Other albums and songs followed including “Patience” and “One in a Million”. They started work on their follow-up album in 1990 and it’s in the same year that Adler was fired and replaced by Matt Sorum from “The Cult”. In addition, Dizzy Reed on keyboards was also introduced. The recordings for 1 new album turned into 2 new albums - “Use your Illusion I” and “Use your Illusion II”.

“Use your Illusions I and II” initially sold very well until Nirvana’s “Nevermind” broke their successful stride. Rose took over the band with a change of attitude and as a result, Stradlin, one of the best songwriter of all times, left Guns N’ Roses in 1991 and he was replaced with Gilby Clarke (Kill for Thrills). It wasn’t until 1993 that the fans of Guns N’ Roses could come to terms with the change because Stradlin had an important role to play in the band. Their following album, The Spaghetti Incident, did garner good reviews but it still failed to capture the kind of spirit that was apparent in the early days of Guns N’ Roses. Guns N’ Roses appeared to have lost their edge and many thought that they were out of the race for good. The situation was further worsened with the departure of, yet, another band member, Slash, leaving Rose as the last of the original cast for Guns N’ Roses.

In 1999, the first original song in 8 years for Guns N’ Roses, “Oh My God” was released and it was featured in “End of Days” film starring Arnold Schwarzenegger. The new lineup for Guns N’ Roses consist of Rose, Finck, Buckethead, Stinson, Brian Mantia, Paul Huge, and Dizzy Reed. The new Guns N’ Roses continue to play and perform wherever they can but they generated some bad press when former members of Guns N’ Roses were BANNED from watching their performances. Soon Paul Huge joined the lineup of EX Guns N’ Roses members and was promptly replaced with Richard Fortus (former Love Spit Love). Fans and critics alike are waiting to see what the new lineup can come up with while the group of ex-GNR members continues to enjoy celebrity status.

Dean Erickson. Journalist, and web site builder Dean Erickson lives in Texas. He is the owner and co-editor of http://www.all-guns-n-roses.info on which you will find a longer, more detailed version of this article.

“The real communicating artists seek unique expression. They are not interested anymore in sounding like their heroes, they are searching constantly, developing and refining their own unique voice.”

There are musicians who are more than comfortable remaining anonymous. You know, happy to hide behind their guitars or keyboards and be sidemen to the stars of today or tomorrow. Then there are those that have grandiose aspirations of stardom, adoration and limelight. And then there are those who have a driving desire and need to say something original artistically, to express themselves and to communicate that expression to an audience, be it a small niche market or wider demographic.

Those falling into the first category can make a living, albeit fairly modest as a general rule. Those falling into the second category often live in a little bit of a dream world and, depending on their tenacity and ’smart’ skills, usually end up disappointed because the focus is set on the destination rather than the journey. The third category usually reap the rewards of the second category gaining all the success and limelight, but as a result of focusing on their art rather than the shallow and flighty end of the musician’s world. These are usually the most fascinating people too, because they generally have a little mystery about them and because they actually possess what most entertainers really want; sincere and dedicated talent!

But there are also those that are in the early stages of artistic development who are still learning their craft, and open to influences. Possibly they will become great artists in the future, possibly not. It will be a question of choices and consequences, and doors opened and opportunities taken advantage of - or not. Life certainly will take you places.

But for those that do have aspirations of artistry and expression, then I firmly believe you must have qualities that others do not have. As an artist I believe one must stand out from the heard in order to be heard. It is so easy to make a record these days. One no longer needs to have the luxury of a recording contract in order to stand on a pedestal and say “I am an artist - buy my record!” With home studios costing one 16th of the price they did ten years ago and with software programs that do it all, you can churn out albums by the dozen if you put your mind to it. And many do.

However, just because you can, why would you? - is my question. Just for fun? OK, valid I suppose. But Isn’t it better to spend that time and energy searching relentlessly for something unique and different? God knows record companies are releasing enough crap by the hour, even signed artists are now under the impression they have got something to offer. Maybe they have, but for the most part I don’t think so (as public reaction and their soundscans will attest!)

Perhaps I am being extremely unfair, but I think too many artists do not realize that they have a responsibility to say something profoundly unique, certainly if they expect any kind of career longevity. We live in a world where musicians spend their lives emulating their heroes; singers spend their lives emulating Aretha Franklin, Janis Joplin, Stevie Wonder, Frank Sinatra and so on. Rock guitarists spend their lives emulating Jimi Hendrix, Jimmy Paige, Jeff Beck and Eddie Van Halen. Jazz guitarists are proud emulators of Pat Metheny, John Scofield and Wes Montgomery. Saxophone players worship Charlie Parker, John Coltrane and Michael Brecker. And so on…

Before I go on I have to say that emulating heroes is absolutely imperative in your formative years as musicians. You simply MUST listen to the greats, past and present. One has to have a strong grounding and musical knowledge and one simply cannot get there without listening. However, way too many ‘artists’ cannot get passed this stage. They need to have peer approval, have to know that other respected musicians around them recognize them and applaud their abilities. Often all this takes place subconsciously.

This ‘peer approval’ is a stage of development that is also important. Every musician goes through it at some point. It is absolutely natural, but I firmly believe that to become a great artist, you have to move beyond that stage and look inward. I always liken it those wedding band singers, who despite having an honorable and justifiable (and in some cases envious) career, they are all too often the ‘performing monkeys’. They are often fine vocalists but at the end of the day they are seeking approval and applause and not communicating or expressing anything artistic. They certainly know how to entertain but do they know how to intrigue? It’s a huge gap. Nothing remotely subtle about it as far as I am concerned.

The real communicating artists seek unique expression. They are not interested anymore in sounding like their heroes. They have moved past that, now searching constantly, developing and refining their own unique voice. Look at any of the true giants of yesterday and today. Yes you can hear their references, but they also have their own strong identity. At some point during their development something bigger than them took over. The chances are they knew it at the time and took advantage of it and made an extra effort to really hone that uniqueness.

Finding that unique inner voice might not be as easy for some. I think it starts by recognizing your technical weaknesses. It is often those weaknesses that ultimately end up becoming your artistic strengths. Let’s face it, if you were able to play the guitar technically perfect, at all speeds, meticulously so every note that came out was totally clean and audible, would this be ultimately interesting to an audience? Yes it might be very clever and impressive, but for how long could you listen to an album where every phrase felt like you were having your teeth drilled!!?

Wes Montgomery played with his thumb because he kept dropping his pick, ultimately enabling him to become the greatest and most influential jazz guitarist of all time. BB King has about three licks in his entire blues repertoire. Does anyone NOT know BB King when they hear him? Thelonius Monk refused to conform to traditional piano techniques and musical ideas. He simply HAD to play music the way he heard it in his head. He made such a bold musical statement during his time that he is emulated the world over and revered by the greatest musicians living today.

Technical shortcomings can be the very essence of your unique artistry. Now, should those shortcomings get in the way of what you need to say musically then those weaknesses might need to be turned around so they don’t restrict what you hear in your head.

Remember, the true artist simply communicates from within. All other extraneous thoughts, influences and distractions need to fall by the wayside. The minute a lick or a phrase that your hero played or sung (and made famous) ends up on your record - watch out! You might be in trouble. Absolutely steal from your heroes, but just remember that real artistry is about what YOU have to say, not what your heroes have already said before, and have possibly said better.

Push yourself to the max and search for that truly unique quality within. After all, that next great talent we are all so desperately waiting for might just be you!

Chris Standring is a contemporary jazz recording artist who performs throughout the USA and Europe regularly. He has enjoyed much radio airplay with several albums, opening up a busy touring schedule. His music appears on many compilation CDs also. For more info on Chris’ popular home study jazz guitar course go to http://www.PlayJazzGuitar.com

Visit him on the web at http://www.chrisstandring.com

This article is about how to avoid guitar practice burnout - something that happens to all of us from time to time!

Yep it’s true. Many of us at one time or another has experienced those “blah” days where the last thing we want to do is pick up our guitar and practice. But don’t fret! Here you’ll discover valuable little tidbits to help keep you motivated with learning and practicing guitar, so let’s get started…

How to Avoid Guitar Practice Burnout:

1) Enjoy the process of learning guitar.

This sounds basic, but often beginner guitarist’s will focus on negative aspects about their guitar playing skill level. Instead of “beating yourself up” remember that all professional guitarists started off just like you. The truth is that learning guitar takes time, patience and practice.

As a beginner, you should not try to learn to play guitar too quickly. Why? In trying to learn guitar too quickly you’ll risk increased muscle tension which can actually reduce your guitar playing ability.

So slow and steady guitar lessons will benefit you best for long-term success.

2) Use the quality guitar learning methods.

Many people find that learning to play guitar using traditional methods is too difficult, overwhelming and time consuming. And because of this difficulty, many people give up on their dreams of learning to play guitar because the guitar learning techniques were inadequate.

Luckily though, now days you can get online guitar lessons that teach a new and revolutionary way to learn guitar that produces fast and effective results. These new guitar lesson techniques make learning guitar fun and easy. So, if learning guitar using traditional guitar methods is too difficult, or causing you too much frustration, know that there are new and improved ways to learn guitar that work extremely well.

3) Learn to practice guitar at your pace.

In learning to play guitar, you’ll discover that some days you’re more motivated than other days.

For example, some days you’ll feel like playing the guitar for hours on end, and at other times, you’ll only want to practice guitar for a few minutes. This is normal and if it’s one of your “off days” allow yourself to enjoy a break from a long practice section without feeling guilty.

4) Look to others for inspiration.

One of the best motivators in trying to achieve any goal, like learning guitar, is to look to other people for help and assistance. Consider joining a musicians group and online music forums where you can share tips, successes and troubles with other guitarists online.

Chances are, there will be another guitar player who has had the same problem you’re facing who can give you great
advice. Learning how other people achieved their guitar playing success, and the pitfalls they incountered along the way (and how to avoid them), will help tremendously to inspire and motivate you along the way while learning guitar.

The #1 Reason Beginner Guitarists Give-Up:

The biggest reason many people new to learning guitar give-up is because they loose the JOY of learning to play guitar. Why? Many beginner guitarists are excited about their new hobby, and this excitement causes many people to rush into trying to play their first song as quickly as possible.

However by not FIRST taking the time to learn proper guitar basics, usually results in increased playing difficulties and frustration. And frustration is what eventually leads many beginners to give-up on their dreams of playing the guitar.

But don’t worry! By following the tips above, you’ll be well ahead of most people learning to play guitar.

Remember, to avoid practice burnout, it’s critical learn to play guitar at a consistent pace, allow yourself breaks from playing guitar as needed, and keep yourself motivated by seeking out other guitarists for help and inspiration.

Annette owns Online-Guitar-Lesson-Reviews.com. Please visit her site to get free online guitar lesson resources and reviews. Sign-up for a free guitar lesson mini-course loaded with free guitar solutions.